2018 – Hommage à Kieślowski

IDEA

The 8th edition of the Sokolowsko Hommage à Kieslowski Film Festival this year will take place on September 14-16, thanks primarily to the financial support of friends of the Festival and contributors on the crowdfunding platform. The organizers are also expected to get help from private sponsors.

The film around which the 2018 festival program is built will be one of the audience’s most beloved pictures, “Three Colors: Blue”. – a French-Polish-Swiss co -production directed by Krzysztof Kieslowski based on his and Krzysztof Piesiewicz’s script. The film, with cinematography by Slawomir Idziak and music by Zbigniew Preisner, and starring Juliette Binoche, was awarded the Golden Lions in Venice.

The festival will present feature films and documentaries to audiences in the following sections: Hommage à Kieslowski &Classics of Cinema (Hommage à Kieslowski & Classics), Re:Interpretations(Re:Interpretations): Polish and European feature films, DocumentaryArt(Doc Art): Polish and European documentaries, Czech section.

Prominent Czech director Petr Zelenka will be a special guest at the festival. The audience will have the opportunity to see his retrospective. We will see, among others, “Tales of Ordinary Madness”, “The Brothers Karamazov” and “The Year of the Devil”. The screenings will be followed by meetings with the director led by Czech section curator Petr Vlček.

During the three days of the festival, we will meet with guests, filmmakers and film critics. Among those invited to Hommage à Kieslowski are Krzysztof Piesiewicz, Piotr Jaxa, Mikolaj Jazdon, Petr Vlček, Violetta Buhl, Izabela Igel.

The film screenings, meetings and debates will be accompanied by an exhibition from the Krzysztof Kieslowski Archive presenting previously unpublished stills from “Blue” by Piotr Jaxa.

Maria Kieslowska, the director’s wife, has assumed patronage of the festival.

Every year Sokolowsko, a picturesque town near Walbrzych and an important place in the life of Krzysztof Kieslowski, celebrates cinema. The festival screenings will take place at the ZDROWIE Cinematheater, described by Kieslowski in his “Autobiography,” in the multimedia room of the Cultural Laboratory of the IN SITU Foundation.

Fundraising for the festival continues until September 10. Anyone can support Hommage à Kieslowski by donating any amount on the platform https://odpalprojekt.pl/p/hommageakieslowski. The campaign is supported by, among others: Krystyna Janda, Magda Łazarkiewicz, Marzena Trybała, Artur Barciś, Bogusław Linda, Łukasz Maciejewski and Jerzy Stuhr.

Organization & Production of the festival:
“IN SITU” Foundation for Contemporary Art.
Sokolowsko International Culture Laboratory

SECTIONS

The film marking the mainstream of program exploration in 2018 will be a French-Polish-Swiss co-production directed by Krzysztof Kieslowski based on a script by Krzysztof Piesiewicz and Krzysztof Kieslowski entitled “Three Colors: Blue”. “Three Colors: Blue” (Trois couleurs: Bleu; 1993, 100 minutes, Golden Lions in Venice) made with cinematography by Slawomir Idziak and music by Zbigniew Preisner.

In 2018, the festival will present films to audiences in the following sections:

Hommage à Kieslowski &Classics of Cinema (Hommage à Kieslowski & Classics).
Re:Interpretations (Re:Interpretations): Polish and European feature films
DocumentaryArt(Doc Art): Polish and European documentary films

Czech Day

A special guest at this year’s edition will be prominent Czech director Petr Zelenka, known for such films as “Buttoners,” “Tales of Ordinary Madness,” “The Year of the Devil” and “The Brothers Karamazov.” During the festival, viewers will be able to see a retrospective of his films and attend a meeting with the artist. The meetings will be moderated by Czech Day curator Petr Vlček.

MEETINGS

Meeting with the producer of the film Wild Roses, Izabela Igel, conducted by: Dorota Paciarelli

MONDAY | 14.09.2018 | after 9:30 pm / Old Mine, Walbrzych

Meeting with Petr Zelenka after the screening of Tales of Ordinary Madness, conducted by: Dorota Paciarelli, Petr Vlček

SATURDAY | 15.09.2018 | 13:45-15:00 / Kinoteatr Zdrowie, Sokolowsko / re:interpretations

Freedom and bureaucracy – meeting with Mikolaj Jazdon and Violetta Buhl after the screening of the film Refren

SATURDAY | 15.09.2018 | 15:15-16:00 / Kinoteatr Zdrowie, Sokolowsko / Hommage à Kieslowski

About freedom not only in art – meeting with Krzysztof Piesiewicz and Petr Zelenka, conducting: Dorota Paciarelli

SATURDAY | 15.09.2018 | 18:30-20:00 / Kinoteatr Zdrowie, Sokolowsko / Hommage à Kieslowski

From the point of view of the night porter – meeting after the screening; Krzysztof Piesiewicz talks with Mikołaj Jazdon

SUNDAY | 16.09.2018 | 10:30-12:15 / Kinoteatr Zdrowie, Sokolowsko / Hommage à Kieslowski

Meeting around the film The Brothers Karamazov; Petr Zelenka and guests, Petr Vlček, Krzysztof Piesiewicz

SUNDAY | 16.09.2018 | 14:45-16:00 / Kinoteatr Zdrowie, Sokolowsko / re:interpretations

Meeting around the film The Year of the Devil; Petr Zelenka and guests, conducted by: Petr Vlček

SUNDAY | 16.09.2018 | 18:15-19:15 / Kinoteatr Zdrowie, Sokolowsko / re:interpretations

Meeting with Violeta Buhl and Nikolai Jazdon after the screening of The Year of Frank W

SUNDAY | 16.09.2018 | 19:30-21:30 / Kinoteatr Zdrowie, Sokolowsko / Master Karabasz

GUEST

Tomasz Kozlowski

Sociologist and cultural anthropologist, blogger, trainer. Lecturer at SWPS University and Collegium Da Vinci. Fulfilled essayist, unfulfilled novelist. Critical fan of postmodernity. Skeptical observer of trends and singer of the end of entertainment. Popularizer of the philosophy of slow movement, flow and empathy. Author of more than 200 works, including books on the problems of mass culture: “Lonely Hooligan”, “Naked Monkey in front of the TV”. A full-time optimist and grumbler after hours. He writes regularly for “Odra”, “Charaktery”, “Czas Kultury”, “School Director”.

Miro Gábor

cinematographer, author of cinematography for the films “tales of ordinary madness” and “Year of the Devil”, directed by Petr Zelenka, presented at the festival. He is one of Petr Zelenka’s friends and closest collaborators, starting with the director’s second feature film: “Buttonheads” (1997). He is one of Europe’s best known and most respected camera operators, having received the prestigious 2000-2001 Emmy Award for special effects as D.O.P. for the miniseries “Children of Dune,” based on Frank Herbert’s sci-fi classic novel “Dune.” www.mirogabor.com

Magdalena Lazarkiewicz

Izabela Igel

Producer. She has worked in film, advertising and television production for 17 years, having worked at Graffiti Film, Endemol Neovision, TVN, Syrena Films and Best Film, among others, In 2011, together with Roman Jarosz, she founded Alter Ego Pictures frrma, which produced, among others, Tomasz Wasilewski’s “Floating Skyscrapers,” Bodo Kox’s “The Man with the Magic Box” and Anna Jadowska’s “Wild Roses.”

In 2016, she founded her own production company, Harine Films, which focuses on the production of auteur films by Polish directors, with a particular emphasis on debuts and second films, as well as international minority co-productions. The Polish-Romanian co-production “Pies,” directed by Florin Serban, is the first film produced by Harine Films.

Petr Zelenka (1969) Czech playwright, screenwriter and director of film, theater and television. At a young age, he played bass guitar in the punk rock band V noci and composed lyrics and music for songs, generally sad or, as one friend noted in a television interview, much sadder than the films he has always directed with friends since graduating from the screenwriting department of the Film and Television Academy of Performing Arts in Prague. As a child and growing up, he was fascinated by music, mathematics and TV series, specifically the opening music of a movie. Petr Zelenka’s father, writer, screenwriter and playwright Otto Zelenka, brother of humorist and also screenwriter Bedrich Zelenka, recorded music on a tape recorder at his son’s request. To this day, Zelenka has preserved these recordings. At first he was interested in mathematics, but his parents’ lifestyle and their work eventually seemed more interesting to him. Zelenka told about this period of his life, just after graduating from high school, in an interview this way: “I wanted to be free, independent of this reality and the outside world, and art and mathematics offered this possibility at that time.” Zelenka is a bit of Czech Woody Allen, a bit of music-loving and melancholy character Jim Jarmusch, a sometimes critical observer of absurdities and seismographer of moral dilemmas surrounded by intelligentsia like Nanni Moretti. His scripts and films are characterized by empathy and compassion for ordinary and seemingly uninteresting characters. Zelenka believes that every person, even the least significant, is unique, one of a kind. When working with an actor, he looks for slight, admittedly innocent, but troublesome and ridiculous deviations in behavior alongside the bright sides of the character. Zelenka is definitively addictive, especially for those who see more absurdity than sense in life, and yet are willing to fight their way to happiness.

The three films we will present, directed by Petr Zelenka, will undoubtedly conjure on your faces smiles, surprise and, besides compassion and sympathy for the characters who speak frankly what they think, an irresistible conviction that Czech cinema has that something we look for in vain in most Polish films. Warmth, patience, calm narrative rhythm, irony and an absolute conviction that there are no crazy people, and that every alleged madman sees and evaluates the situation more accurately than the so-called decent citizen, proclaiming the superiority of civilization over human, imperfect nature. Czech cinema of Zelenka’s generation is today counted among the most interesting European cinematographies, and its filmmakers are following their own course.

Last year, the Hommage a Kieslowski festival presented Petr Zelenka’s film entitled Lost in Munich, in which the artist tells the story of the greatest – next to the suppression of the Prague Spring – trauma of the Czechs: The Munich Pact. This year, thanks to the cooperation with Petr Vlck and the Association of Czech Film Clubs, the Hommage a Kieslowski festival will bring back the black comedy Tales of Ordinary Madness (Příběhy obyčejného šílenství), Year of the Devil,a modernized adaptation of Dostoevsky’s The Brothers Karamazov , with the action set in Poland, during the transition period. These films will please and make us reflect on human nature, especially lovers of melancholic comedies and tragicomedies, in which nothing is as it seems at the beginning, and laughter freezes suddenly in our throat when we discover that personal happiness and freedom according to Zelenka have a high price, dictated if not by the devil then by the coincidence of illogical events and their consequences.

The project was created in cooperation with the Association of Czech Film Clubs and our Czech friend Petr Vlck, a film scholar and promoter of Polish cinema in the Czech Republic and Czech cinema in Poland.

Liliana Glabczyńska-Komorowska

Teresa Violetta Buhl

Casting director. Graduated from Polish studies with a major in film and television at the University of Gdansk. She began her work in film as an assistant director then second director working with such directors as Krzysztof Kieslowski, Krzysztof Zanussi, Stanislaw Różewicz, Andrzej Trzos Rastawiecki, Stanislaw Bareja, Jan Lomnicki and many others.Since 1980 she has worked as second director and casting director on almost all of Krzysztof Kieslowski’s feature and television films.

Since 1989, she has worked as a casting director (casting director) for feature films, series, television theater, television programs, commercials, theatrical performances and various other forms. He works with both Polish and foreign directors and productions (English, French, Czech, Slovakian, German, Danish , Italian ) He conducts workshops for actors and classes on casting in theater schools in Krakow, Wroclaw, Lodz, Gdynia and Warsaw. Since 1999, initially together with Maciej Dejczer and Krzysztof Lang – now with Blanka Barkan Popowska, she has been running the production company Rebecca Studio, which produced, among others, Kazimierz Karabasz’s film “Mr. Francis” in the documentary series “Returns”. Since 2006, she has been an international casting expert in Poland as part of the European online casting program E-Talent. Member of the Polish Film Academy.

Mikolaj Jazdon

Film scholar, works in the Department of Film, Television and New Media at the Adam Mickiewicz University. Author of the books Kieslowski’s Documents (Poznan 2002), Polish Independent Cinema (editor of the volume, Poznan 2005) and Kazimierz Karabasz’s Documentary Cinema (Poznan 2009). Editor, together with Katarzyna Mąka-Malatyńska, of the collective volume Seeing Yourself. Polish documentary film at the turn of the century (Poznan, 2011), and Borderlands of Documentary (Poznan 2012, volume co-edited with K. Mąka-Malatyńska and Piotr Płwuszewski), special issue of Images (2014 rn 24): 21st-century Documentary Film In East and Central Europe (razezm with K. Mąka-Malatyńska). Author of articles published in Film Quarterly, Images, Cinema, Screens, Sign, Czas Kultury, Humanities Review, Film Magazine and texts published abroad in English, German, Spanish, Danish, Czech, Slovak. Expert of the Polish Film Institute since 2014. Author of elaborations for DVD film albums of the Polish School of Documentary series (Krzysztof Kieslowski, Kazimierz Karabasz, Władysław Ślesicki, Black Series, and Gryczełowska, Halladin, Kamieńska). Co-author of scripts for 12 episodes of the television series The Art of Documentary (2008). Artistic director of the “Off Cinema” International Film Festival in Poznań. He runs the Short Cinema Club in Poznan’s Zamek Cultural Center, where he presents short films and conducts author meetings.

Piotr Jaxa

Piotr Jaxa, SCS, – cinematographer and photographer, born in Poland, living in Switzerland since 1982. He graduated from PWSFTviT in Lodz and has worked as an image director on many feature films and documentaries around the world. His works have been shown at festivals in Cannes, Mannheim, Krakow, Los Angeles and Berlin.

Over the past few years, Peter Jaxa has been intensively exploring the possibilities of digital photography in independent European cinema productions ((“Going Private” by Stina Werenfels, “Hello Goodbye” by Stefan Jaeger, “Rocksteady: The Roots of Reggae” by Stascha Bader, “The War Is Over” by Mitko Panov) combining his experience with 35mm film with his passion for the new possibilities offered by digital technology.

His contribution in this field, was honored with the Lohn-Ammannsegg Award in 2009 and an invitation to the Swiss Film Academy. He has participated in numerous seminars on the subject in places such as Zurich, Geneva and Vevey.

At the same time, he works as a freelance photographer, specializing in photography from film sets and editorial photography. His work has been published in various media in Europe, the US and Japan.

An exhibition of his photographs from the film set of K.Kieslowski’s Three Colors trilogy, titled “Remembering Krzysztof,” has been viewable in various corners of the world since 1994.

He is also the author of a series of photography books: “L’esprit de Geneve” (1988), “o Barcelone!” (1992) and “Poschiavo, un mondo di Valle” (1998).

Since 1995, Peter Jaxa has been working on a new book and exhibition entitled: “Cinematographers” . it is a collection of portraits of cinematographers from around the world. To date, 115 artists (from 24 countries and 4 continents) have participated in this project.

Dorota Paciarelli graduated from the Leipzig School of Economics, followed by postgraduate studies at the production department of the Polish National Film School (PWSFTviT). After leaving Poland in 1982 out of her love for literature and the Italian language, she also studied Italian literature and philology at the Free University in Berlin.

Collaboration with Kieslowski: Dorota Paciarelli is one of Kieslowski’s close collaborators and friends from 1983 to 1996, having worked with Kieslowski as a translator of his workshops abroad (documentary and fiction), translated the artist’s texts for the Frankfurter Allgemeine Zeitung publication, the Swiss Du , numerous interviews at the Berlinale festival and promotional campaigns for his films in Germany, a year-long masterclass on screenwriting and directing in Switzerland conducted there together with Edward Zebrowski. She considers both screenwriters and directors to this day her most important mentors and an unmatched model of professional and pedagogical integrity. In 1988, she became an agent for Kieslowski, who approached her after he was awarded the European Film Academy’s first film prize for “A Short Film About Killing” and asked if she would take on the tasks of an art agent. She performed these duties until the artist’s death in March 1996, focusing mainly on his professional interests in German-speaking countries.

Professional career: co-founder and manager of the International Theatrical Film Directing Seminars at Kuenstlerhaus Berlin from 1983 to 1990, where K.Kieslowski, A.Wajda, A.Holland, T.Lomnicki, T.Angelopoulos, A.Tarkowski, E.Axer, I.Szabò, E.Zebrowski, J.Petrycki, V.Stok, L.Bondy, J.Lubimov, among others, taught. She began her work on the set in 1984 as an assistant director in the German production of Arthur Brauner and Agnieszka Holland’s first film made in exile titled Bitter Harvest (BittereErnte). After the fall of the Wall and the reunification of Germany in 1990, she headed the Polish Cultural Institute in Berlin, organizing there, among other things, the first exhibition in Germany of Piotr Jaxa’s photographs for the films “Three Colors” featuring Krzysztof Kieslowski, which accompanied the participation of the film “Three Colors: White” in the main competition at the Berlinale film festival. For nineteen years she has been professionally involved in analyzing screenplays and European co-productions (Pokot, In Darkness, Still Alive), has drawn up expert reports on the quality of feature projects for film funds and production companies, and has taught the basics of film drama and development (e.g. at the Warsaw Film School, Filmschule Hamburg, Drehbuchwerkstatt Niedersachsen, among others); was an expert in the EAVE program, managed and co-curated the Talents programs for screenwriters and directors with Jacek Bławut and Wojciech Marczewski at the Nordmedia film fund; advises on international co-productions (including In Darkness and Pokot , directed by A.Holland). From 2005 to 2008 deputy director of the Polish Film Institute. She participated in promotional campaigns for Polish films at festivals in Cannes, Venice, San Sebastian, Berlin, Tallinn and Galway. She has served on juries at film festivals, including as a juror of Up And Coming in Hannover, the Interfilm short film festival in Berlin, Filmfest Hamburg, the international student film festiwaul in Tehran (Iran) and Chisinau (Moldova), the Suspense thriller film festival in Kolobrzeg, and in 2017 on the jury of the Off Cinema festival in Poznan. Initiated by Dorota Paciarelli with the purchase of the screen rights to Olga Tokarczuk’s novel “Drive Your Plough Over the Bones of the Dead” and co-produced until the completion of the development of the script, the film “Pokot”, directed by Agnieszka Holland, won the prestigious Alfred Bauer Award (Silver Bear) at the 2017 Berlinale, traditionally awarded to films that open up new perspectives in cinema. From 2016 to 2018 artistic director of the Hommage à Kieslowski festival. Chair of the board of the Krzysztof Kieślowski Forum e.V. association in Berlin since 2009. Contact: kieslowskiforumberlin@gmail.com

Krzysztof Piesiewicz

Friend of Krzysztof Kieślowski, creator or co-creator of screenplays for many of his films, including: 10 films of the “Decalogue” series, Three Colors: Blue, Three Colors: White, Three Colors: Red, A Short Film About Killing, A Short Film About Love, The Double Life of Veronique.

He is a member of the Polish Film Academy, the European Film Academy and the American Film Academy, and has won many prestigious film awards, including: Golden Lion in Gdansk (1989), European Film Award (1989), Special Jury Award and Ecumenical Award at the Cannes Film Festival (1989), Fipresci Award at the Cannes Film Festival (1990), Golden Lion in Venice (1993), “Silver Bear” Grand Prize in Berlin (1994), Cinematic Excellence Special Award at the Haifa Festival for his contribution to world cinema in connection with the centennial of cinema (2002). In 2010, he was awarded the Ministry of Justice Medal for meritorious service to the administration of justice of the Republic of Poland.

Ajka Tarasov

Irena (Ajka) Tarasov, member of the SFP, held the following positions in film: costume designer, production designer, production cooperation and directorial cooperation.

She worked with directors: Barbara Sass-Zdort, Krystyna Janda, Andrzej Wajda, Andrzej and Janusz Kondratiuk, Janusz Zaorski, Witold Leszczynski, Wojciech Marczewski, Krzysztof Rogulski and others.Since 1990 she has been involved in promoting film education among young people, cooperated with the Andrzej Wajda Master School in the creation of the Film Kindergarten and for many years worked with the Warsaw Film School, she is the author of the concept of the “Film Signposts” project.

Since 2004, president of the DISCE European Foundation for Audiovisual Education.

For 5 years member of the Program Council of the festival “Hommage a Kieslowski”.

Petr Vlček (1980), graduated in Polish and film studies from the Faculty of Philosophy of the František Palacký University in Olomouc. Since 2007 he has been working as Production Manager of the Popular Science Film Festival Academia Film Olomouc, which is the oldest documentary film festival in the Czech Republic. Since 2010 he has also been working with the Summer Film School festival in Uherski Hradišti, one of the oldest and most important film events in the Czech Republic, for which he prepares a selection of Polish films, both recent and classics. The organizer of numerous film events, which have so far included reviews of the works of prominent Polish filmmakers – Agnieszka Holland, Jerzy Hoffman, Janusz Majewski, Marcin Koszalka, Leszek Dawid, Slawomir Fabicki, Magdalena Piekorz, Robert Glinski, Daniel Szczechura, Piotr Dumała, Mariusz Wilczynski. Organizer of two major retrospectives of Krzysztof Kieslowski’s work – in 2006 in Olomouc and in 2011 as part of the Summer Film School.

SCREENING CALENDAR

FRIDAY | 14.09.2018

18:00-20:00 / Old Mine, Walbrzych

Opening of the 8th SFF Hommage à Kieslowski:
Opening of the exhibition “Krzysztof Kieslowski 3 Colors Blue” in photography by Piotr Jaxa and screening of Three Colors: Blue – making off

20:00-21:30 / Old Mine, Walbrzych / re:interpretations
opening film of the festival: Wild Roses, dir. by Anna Jadowska, Poland, 2017, 90′
introduction: Dorota Paciarelli
Guest of the evening: Izabela Igel, producer of the film Dzikie róże.

SATURDAY | 15.09.2018

10:30-11:15 am / Cinema Theatre Health, Sokolowsko / series 5 minutes from life
Between the Shores, dir. by Jaroslaw Piskozub, 5′59′′
The Sojatowski grandparents’ bedspread, by Joanna Polak, 1′58′′
Grandma Zofia’s cross, by Joanna Polak, 3′38′′
Mr. Jan Golus, by Wawrzyniec Turowski, 4′59′′
Mr. Stasiu, by Wawrzyniec Turowski, 4′08′′
Tell me Rico, by Szymon Piegza, Jakub Stoszek, 3′′
First name, by Przemysł Tyler, 4′07′′
Granny Krystyna’s tablecloth, dir. by Joanna Polak, 2′04′′

Introduction: Violetta Buhl, Mikołaj Jazdon

11:30-13.20 / Cinema Theatre Health, Sokolowsko / re:interpretations
Tales of Ordinary Madness,dir. by Petr Zelenka, Czech Republic, Germany, Slovakia, 2005, 107′′

13:45-15:00 / Kinoteatr Zdrowie, Sokolowsko / re:interpretations
Meeting with Petr Zelenka and Miro Gàbor, cinematographer and director of photography, hosted by: Dorota Paciarelli, Petr Vlček

15:15-16:00 / Kinoteatr Zdrowie, Sokolowsko / Hommage à Kieslowski
Refrain,dir. by Krzysztof Kieślowski, Poland, 1972, 10′

Freedom and Bureaucracy – meeting with Mikołaj Jazdon and Violetta Buhl
16:15-18:20 / Cinema Theatre Health, Sokolowsko / Hommage à Kieslowski
Three Colors: Blue, directed by Krzysztof Kieslowski, France, Poland, Switzerland, 1993, 94′.
introduction: Krzysztof Piesiewicz
18:30-20:00 / Cinema Theatre Health, Sokolowsko / Hommage à Kieslowski
About freedom not only in art – discussion #3 of the Krzysztof Kieslowski Forum. Freedom is discussed by: Krzysztof Piesiewicz (screenwriter and defense lawyer), Petr Zelenka (screenwriter and director), Tomasz Kozlowski (sociologist and essayist), conducting: Dorota Paciarelli

20:30 / Multimedia room of the Laboratory of Culture, Sokolowsko
Opening of the exhibition “Krzysztof Kieslowski 3 Colors Blue” in photography by Piotr Jaxa

21:30-23:00 / Cinema Theatre Health, Sokolowsko / re:interpretations
Isabelle and the Men, dir. by Claire Denis, France, 2017, 94′
introduction: Dorota Paciarelli

SUNDAY | 16.09.2018

10:30-11:50 / Cinema Theatre Health, Sokolowsko / Hommage à Kieslowski

From the point of view of the night porter,dir. by Krzysztof Kieślowski, Poland, Switzerland, 1977, 16′
introduction: Dorota Paciarelli and Krzysztof Piesiewicz
Last meeting with Krzysztof Kieślowski, dir. by Mikołaj Jazdon, Poland, 1996, 26′

From the point of view of the night porter – meeting; Krzysztof Piesiewicz talks with Mikolaj Jazdon

12:00-13:20 / Cinema Theatre Health, Sokolowsko / Master Karabasz

The Year of Frank W, dir. by Kazimierz Karabasz, Stanislaw Niedbalski, Poland, 1967, 63′
Meeting with Violetta Buhl and Mikołaj Jazdon

13:30-15:50 / Cinema Theatre Health, Sokolowsko / re:interpretations
The Brothers Karamazov, dir.Petr Zelenka, Czech Republic, Poland, 2007, 100′
Meeting around the film The Brothers Karamazov; Petr Zelenka and Miro Gàbor, Petr Vlček

16:00-18:45 / Kinoteatr Zdrowie, Sokolowsko / re:interpretations
The Year of the Devil, dir.Petr Zelenka, Czech Republic, Poland, 2002, 88′
introduction: Dorota Paciarelli
Meeting around the film The Year of the Devil; Petr Zelenka and Miro Gàbor, conducting: Petr Vlček